I’m always curious to know what sorts of books other authors are reading and enjoying. With that thought in mind, I’ve decided to add my own list of recently consumed books, which include everything from fiction to biography to history to memoir to academic tomes. There is no real rhyme or reason to what I read – I just buy a ton of books every year and have them sit in a pile on the floor of my library. When I finish one book and am ready for the next I just head over to the pile, lift a book or two up, flip through a few pages, maybe stare at the author photograph on the back cover, and eventually pick whichever finally grabs my fancy. I can tell you that I like to switch things around, so it is rare that I will read very many of the same genre of book in a row, but having said that, literary fiction is my favorite – and most frequent – source of reading pleasure. If you’re curious as to how I choose which books to buy in the first place, well, that’s also rather random, stemming from recommendations from friends, critiques in newspapers and magazines such as The New York Review of Books, and winners of high-profile contests such as the Man Booker or the Nobel Prize. In truth, everything is random, as is life…
In addition, I’ve recently been adding a one-word distillation of every book listed (in parentheses after the title). This is a description and critique, of sorts, but it can also be simply the feeling the book left me with, or the image that the book imprinted in my mind. After I’ve finished reading a book I let it sit for a day or two, and whatever single word rises to the top of my consciousness regarding its contents, I use it. I admit it’s a challenge at times deciding on a single word, but, that’s also half the fun. Enjoy:
- 1984 (relevant)
- The Last Black Unicorn (raw)
- I Curse You with Joy (real)
- The Art of Power (Congress)
- The Messy Lives of Book People (dreams)
- The Burgess Boys (siblings)
- It Starts with Us (candy)
- Tom Lake (vapid)
- Behind the Scenes at the Museum (longevity)
- Quiet (introversion)
- The Pole (intimate)
- The Replacement Wife (tedious)
- It Ends with Us (abuse)
- Bowlaway (candlepins)
- Speak (rape)
- The Year of Magical Thinking (grief)
- Red Comet (Ariadne)
- Celestial Bodies (generations
- Lucy by the Sea (COVID)
- Pachinko (shame)
- The Body Keeps the Score (coping)
- The Explosive Child (adaptability)
- The Books of Jacob (messiah)
- The Friend (sustenance)
- Case Histories (peril)
- Convenience Store Woman (purpose)
- Bitter Orange Tree (grandmother)
- Love (trauma)
- What You Are Looking for is in the Library (motivation)
- The Righteous Mind (morality)
- Our Missing Hearts (sacrifice)
- Patron Saints of Nothing (authoritarianism)
- Old Babes in the Wood (whimsy)
- Letters to My Palestinian Neighbor (introspection)
- The Shawl (memento mori)
- Alias Olympia (displacement)
- Mating (self-possessed)
- The Drifters (1968)
- The Optimist’s Daughter (resentments)
- The Little Friend (plucky)
- The Bone People (abusive)
- Song of Solomon (transcendence)
- Wild (triumph)
- Tiny Beautiful Things (wisdom)
- The Riders (wanting)
- Antiquities (self-deception)
- The Essential Emily Dickinson (essence)
- Kingdom of Characters (language)
- Second Place (self-awareness)
- Checkout 19 (checked-in)
- Once Upon A Prime (numbers)
- 28 Summers (romance)
- Demon Copperhead (defenseless)
- Birnam Wood (greed)
- The Measure (implausible)
- Fall On Your Knees (family)
- Dear Edward (survival)
- O Caledonia (misunderstood)
- The Frankenstein Man (revivification)
- Trinity (struggle)
- The Overstory (canopies)
- A Gentleman in Moscow (Russian)
- Spare (resentments)
- On Earth We’re Briefly Gorgeous (piercing)
- Shakespeare for Squirrels (comical)
- Ain’t I A Woman (intersectional)
- Lessons (Roth’ian)
- Why We Swim (aqueous)
- Seven Days in June (overdone)
- 14 Talks by Age 14 (teenagers)
- Where Reasons End (aftertime)
- Unsheltered (disintegration)
- Lisey’s Story (horrror)
- The Secret Chord (kingship)
- March (division)
- Akhenaten: Dweller in Truth (theism)
- Rogues: True Stories of Grifters, Killers, Rebels and Crooks (journalism)
- People of the Book (precious)
- Becoming (whirlwind)
- Crying in H Mart (grief)
- The Autobiography of Malcolm X (hustle)
- Remarkably Bright Creatures (generosity)
- The Paris Apartment (jumbled)
- The Midnight Library (choices)
- A Confederacy of Dunces (farcical)
- I, John Kennedy Toole (dunces)
- Such a Fun Age (Karen)
- The Way We Live Now (scheming)
- Wild Game (betrayal)
- The Seven Husbands of Evelyn Hugo (Hollywood)
- Normal People (dependency)
- Motherhood (indecisive)
- My Broken Language (becoming)
- Siracusa (vapid)
- Aftershocks (abandonment)
- These Precious Days (Southern)
- The Evening of the Holiday (languid)
- Israel (eye-opening)
- The Island of Missing Trees (ecosystems)
- Homegoing (saga)
- In Search of Lost Time: Swann’s Way – A Graphic Novel (emotive)
- All the Frequent Troubles of Our Days (terrifying)
- The Mothers (anti-abortion)
- Dust Tracks on a Road (1930s)
- The Vanishing Half (sisters)
- The Namesake (heritage)
- Anne of Green Gables (spunk)
- Olive, Again (humanity)
- Olive Kitteridge (honest)
- The Light of Days (endurance)
- Anything is Possible (neighbors)
- My Ãntonia (frontierswoman)
- Hunger (hangry)
- Unaccustomed Earth (stifled)
- An American Marriage (sufferance)
- Dept. of Speculation (mule-jenny)
- Sunstroke (exchanges)
- My Name is Lucy Barton (isolation)
- A Visit from the Goon Squad (cheugy)
- Writers & Lovers (growth)
- Stamped (antiracism)
- Weather (wry)
- The Mars Room (incarceration)
- Angry Black White Boy (brutal)
- Strangers on a Train (circumstance)
- On the Come Up (dreams)
- Unbroken (broken)
- The Best of Me (regurgitation)
- The Trial of Lizzie Borden (guilty)
- The Lying Life of Adults (adolescence)
- Birds Without Wings (old-school)
- Their Eyes Were Watching God (pathbreaking)
- A Ceiling Made of Eggshells (coercion)
- Jack (excruciating)
- Being Heumann (tenacity)
- Curtain (curtains)
- Shakespeare and the Jews (identity)
- And Then There Were None (clever)
- The Witness for the Prosecution, and Other Stories (perception)
- Clementine: The Life of Mrs. Winston Churchill (underappreciated)
- The Murder of Roger Ackroyd (whodunit)
- Hitting a Straight Lick with a Crooked Stick (Lawd)
- The Mysterious Affair at Styles (intrigue)
- The Girls (shallow)
- The Weight of Ink (legacy)
- Leo Africanus (timeless)
- Where the Crawdads Sing (tranquility)
- Black Tudors (Blackamoores)
- Educated (dawn)
- To the End of the Land (pilgrimage)
- Shakespeare in a Divided America (zeitgeist)
- Start-Up Nation (chutzpah)
- The Dutch House (forgiveness)
- The Mirror & The Light (loyalty)
- The Prime Ministers (leadership)
- A Year in the Life of William Shakespeare (elan du jour)
- Little Fires Everywhere (motherhood)
- Ordinary Grace (advent)
- There Will Be No Miracles Here (unworthy)
- The Yellow House (birthright)
- Cleopatra’s Daughter (Selene)
- Say Nothing (purpose)
- Disappearing Earth (kidnapping)
- The Time of Mute Swans (Turkish)
- Unsheltered (trite)
- Founding Fathers (determination)
- Family Papers (sweeping)
- The Sound and the Fury (voice)
- The Water Dancer (conduction)
- A God in Ruins (generations)
- Children of Virtue and Vengeance (war)
- Mozart’s Sister (limited)
- Ducks, Newburyport (prodigious)
- Narrative Economics (fads)
- Small Great Things (realization)
- Lincoln in the Bardo (loss)
- Calypso (tumors)
- In a Free State (barriers)
- King of the Hill (St. Louis)
- Moon Tiger (aristocratic)
- Boying Up (boys)
- My Michael (distant)
- Life Will Be the Death of Me (puppy-love)
- Born a Crime (nonage)
- Life After Life (possibilities)
- Giving Up the Ghost (Neverwell)
- A Woman of No Importance (heroism)
- Fire Shut Up in My Bones (acceptance)
- Thinking, Fast and Slow (repetitive)
- We Need to Talk About Kevin (horrific)
- Animal Spirits (macroeconomics)
- Predictably Irrational (rational)
- Misbehaving (Economics)
- Washington: A Life (providence)
- Behind the Scenes; or Thirty Years a Slave and Four Years in the White House (disloyal)
- Hamilton (remarkable)
- The House of Mirth (mirthless)
- If Beale Street Could Talk (heartsick)
- By Nightfall (dull)
- Uncle Tom’s Cabin (scriptural)
- A Horse Walks Into A Bar (heartstrings)
- A Little Life (intense)
- Mary: Mrs. A Lincoln (unfair)
- The English Patient (carpe diem)
- The Souls of Black Folk (history)
- Children of Blood and Bone (magic)
- Blood Water Paint (powerful)
- American Street (tough)
- About Grace (nebulous)
- A Wild Swan: And Other Tales (enchanting)
- Warlight (hazy)
- Tyrant (Trump?)
- One Crazy Summer (connection)
- The Ministry of Utmost Happiness (sprawling)
- The Kreutzer Sonata: And Other Short Stories (dicks)
- A Tale of Love and Darkness (Israel)
- Barracoon (authentic)
- Perkin: A Story of Deception (mystery)
- The High Mountains of Portugal (strange)
- Underground Railroad (journey)
- Word by Word (pellucid)
- All the Light We Cannot See (heart-rending)
- Why I’m No Longer Talking to White People About Race (awareness)
- A Strangeness in My Mind (Joycean)
- Three Guineas (inequality)
- Fire From Heaven (firebrand)
- Invisible Man (racism)
- A Boy in Winter (culpability)
- The Hate U Give (woke)
- Outline (meaninglessness)
- The Story of the Jews: Volume I (persecution)
- Why I Read: The Serious Pleasure of Books (literary)
- Adaptive Markets (interminable)
- Giovanni’s Room (fervid)
- The Taming of the Queen (imprisonment)
- Writing My Wrongs (raw)
- Everybody Lies: Big Data, New Data, and What the Internet Can Tell Us About Who We Really Are (data)
- On the Move (privileged)
- The Course of Love (insipid)
- Augustus (epistolary)
- Mother Night (powerful)
- Vinegar Girl (terrible)
- Religion for Atheists (guidance)
- Notes From a Small Island (opinionated)
- The Ground Beneath Her Feet (mythic)
- Go Tell It On The Mountain (fervor)
- Commonwealth (tired)
- Nutshell (criminal)
- The Sellout (patois)
- Three Sisters, Three Queens (Queens)
- One Hundred Years of Solitude (mystical)
- The Little Prince (sumptuous)
- Bring Up the Bodies (premeditated)
- London: A Travel Guide Through Time (fanciful)
- London: A Social and Cultural History, 1550-1750 (history)
- The Civil Wars of Julia Ward Howe (small)
- Sacred Hunger (consequences)
- Native Son (painful)
- Wind, Sand and Stars (flight)
- Black Boy (harrowing)
- The Goldfinch (annoying)
- The Warmth of Other Suns (wearying)
- Mr. Sebastian and the Negro Magician (odd)
- The Supergirls (supergirls!)
- The Story of Edgar Sawtelle (tragic)
- The Story of the Lost Child (dissipate)
- Victoria: A Life (exhaustive)
- Those Who Leave and Those Who Stay (acute)
- The Red Tent (life-affirming)
- The Story of a New Name (punishing)
- Women of Will (suggestive)
- My Brilliant Friend (unfinished)
- The Millionaire and the Bard (bibliomania)
- Between the World and Me (bodily)
- The Fire Next Time (true)
- The Dovekeepers (biblical)
- And the Mountains Echoed (complex)
- Between the Acts (gem)
- No Time Like the Present (stilted)
- My Century (time)
- Collecting Shakespeare (dry)
- Ship of Fools (people)
- Dreams from My Father (personal)
- All About Skin (layered)
- The Summer Queen (bland)
- Turkey and the Rescue of European Jews (revisionary)
- The Life of Elizabeth I (authentic)
- Pale Rose of England (confounding)
- Prince of Shadows (tangential)
- Blackamoores: Africans in Tudor England, Their Presence, Status and Origins (investigative)
- Lila (affirmatory)
- Not That Kind of Girl (vagina)
- Taft (slow-motion)
- The Secret History of Wonder Woman (surprising)
- Summertime (plotless)
- Gone Girl (page-turner)
- A Room of One’s Own (incandescent)
- Juliet’s Nurse (echoes)
- Bossypants (entertaining)
- I’m Chocolate, You’re Vanilla (informative)
- The Mortgaged Heart (incomplete)
- Sweet Tooth (flimsy)
- 20 Under 40: Stories from the New Yorker (potluck)
- Seeing Further: The Story of Science & The Royal Society (epistemology)
- The Wise Woman (witchy)
- Truth and Beauty (revelatory)
- Autobiography of a Face (searing)
- The Elementary Particles (awful)
- The White Princess (trying)
- The Lady of the Rivers (imaginative)
- The Kingmaker’s Daughter (exciting)
- State of Wonder (compelling)
- The Tudors (legendary)
- Hateship, Friendship, Courtship, Loveship, Marriage (sober)
- Founding Mothers (dry)
- The Luminaries (labyrinthine)
- What If? (counterfactual)
- The Amazing Adventures of Kavalier & Clay (Talmudic)
- Living with Shakespeare: Essays by Writers, Actors and Directors (vast)
- Things Fall Apart (Nobel-worthy)
- The Tipping Point (trendy)
- Arrow of God (misunderstandings)
- A Breath of Snow and Ashes (eventful)
- Far From the Tree (empathy)
- In Persuasion Nation (dystopian)
- Shakespeare and the Grammar of Forgiveness (esoteric)
- Shakespeare Saved My Life (inspiring)
- The Feminine Mystique (yes)
- Wedlock (un-be-liev-able)
- Psychoanalysis: The Impossible Profession (engaging)
- A Time to Keep Silence (contemplative)
- The Dinner (violence)
- The Idiot (insanity)
- Don’t Get Too Comfortable (temporal)
- The Ballad of the Sad Cafe (crystalline)
- Fraud (genuine)
- Middlemarch (prolix)
- Grand Pursuit (disjointed)
- Winter King (historical)
- A Truth Universally Acknowledged (adulatory)
- Freedom (transitory)
- Housekeeping (steam-whistle)
- Staging the World (factual)
- Half Empty (jolting)
- Angels & Ducats (treasure)
- The Lady of the Rivers (insightful)
- My Long Trip Home (thoughtful)
- Oscar and Lucinda (pointless)
- A Universe from Nothing (adamant)
- The Girl Who Kicked the Hornet’s Nest (detailed)
- The Magician’s Assistant (suffocating)
- Harvesting the Heart (tumultuous)
- The Girl Who Played with Fire (addictive)
- Drums of Autumn (unedited)
- The Collected Stories of Colette (girlfriend!)
- The Year of Magical Thinking (stark)
- The Beautiful and Damned (disappointment)
- A Moveable Feast (nostalgic)
- The Red Queen (captivating)
- The Paris Wife (artificial)
- The Quest (wide-ranging)
- Pomegranate Soup (aromatic)
- Bardisms (fun)
- The Prize (thorough)
- Brittle Bones, Stout Hearts and Minds (familiar)
- The White Queen (thrilling)
- The Lacuna (plodding)
- Ghosts (other-worldly)
- The Patron Saint of Liars (aching)
- The Definition of Wind (thin)
- Solar (unlikeable)
- The Fountainhead (antiquated)
- The Age of Wonder (enlightening)
- Bel Canto (surreal)
- Chronic City (galootish)
- A Mercy (distant)
- Run (resonant)
- The Girl with the Dragon Tattoo (pulpy)
- Every Man Dies Alone (infuriating)
- Just Kids (lyrical)
- Voyager (adventurous)
- Soul of the Age (opaque)
- Superfreakonomics (simplistic)
- Dragonfly in Amber (engaging)
- Cleopatra (tragic)
- The Thoery of Moral Sentiments (Freudian)
- Outlander (romance)
- The Man Who Shot the Man Who Shot Lincoln (unexpected)
- The Finkler Question (adumbratious)
- The Book Thief (engrossing)
- Bird by Bird (devotional)
- On Chesil Beach (inauthentic)
- Gertrude and Claudius (delightful)
- Dialogue (basic)
- The Corrections (corporeal)
- Wide Sargasso Sea (tragic)
- Speaking of Dialogue (awful)
- Judith Shakespeare (antique)
- The Great Gatsby (perfection)
- Writing the Breakout Novel (sagacious)
- The Artful Edit (simplistic)
- Will in the World (presumptive)
- The Story Sisters (lyrical)
- Nomad (fierce)
- Enduring Love (gripping)
- On Becoming a Novelist (spot-on)
- Nudge (faddish)
- House of Meetings (black)
- Tinkers (semi-precious)
- Man Gone Down (raw)
- My Father Had a Daughter (pleasant)
- The Winter Vault (slow)
- The Profane Art (cabalistic)
- The Wealth of Nations (seminal)
- The Great American University (one-sided)
- The Bonesetter’s Daughter (enjoyable)
- The Bastard of Istanbul (nourishing)
- The Economic Consequences of the Peace (perspicacious)
- Shadow of the Silk Road (impressive)
- Making Globalization Work (long-winded)
- Persuasion (pleasant)
- Logicomix (wonderful)
- Wolf Hall (British)
- Nothing: A Very Short Introduction (terse)
- Home (thorough)
- The Time Traveler’s Wife (creative)